Even More CAPTAIN AMERICA: CIVIL WAR Set Photos; RDJ, Renner, Olsen, Johansson AND Rudd Spotted!

Another day, another batch of photos from the Captain America: Civil War set. However, this particular batch features not only a first look at actor Paul Rudd (Ant-Man) on set in-between takes, but also a first look at Elizabeth Olsen (Scarlet Witch) finally joining Chris Evans (Captain America) and Anthony Mackie (Falcon) in the battle against Crossbones (Frank Grillo). While it appears the supervilain (who’s sporting more burn scars) is no match for Cap and his new Avengers team, yesterday was reportedly the last day filming will take place on this African Market set.

It also appears Robert Downey Jr. is about to start work on Captain America: Civil War as the Iron Man actor has now been spotted on the African Market set. Although Downey wasn’t in costume, additional photos & videos from the shoot capture more of Scarlett Johansson (Black Widow), Elizabeth Olsen (Scarlet Witch), and Frank Grillo (Crossbones) back in action, as well as Paul Rudd (Ant-Man) in different civvies as Scott Lang.

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Directed by Anthony & Joe Russo from a screenplay by Christopher Markus & Stephen McFeely, Captain America: Civil War picks up where Avengers: Age of Ultron left off, as Steve Rogers (Chris Evans) leads the new team of Avengers in their continued efforts to safeguard humanity. After another international incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability and a governing body to determine when to enlist the services of the team. The new status quo fractures the Avengers while they try to protect the world from a new and nefarious villain. Starring Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Paul Bettany, Jeremy Renner, Don Cheadle, Elizabeth Olsen, Paul Rudd, Chadwick Boseman, Emily VanCamp, Daniel Brühl, Frank Grillo, William Hurt, and Martin Freeman, Captain America: Civil War is set for release on May 6, 2016.

Sources: DailyMail / MTV / Daily Mail(1) / Just Jared / Just Jared(1) / Just Jared(2) / Just Jared(3)

MARVEL MADNESS #3: Hawkeye Going Solo?, Marvel Annoyed With Joss, Scarlet Witch Costume And MORE!

So it is another Wednesday and that means another Marvel Madness! This week’s edition covers topics like a possible Hawkeye solo movie, Marvel butting heads with Joss Whedon, the updated Scarlet Witch costume, and MORE!

Iron Man, Captain America and Thor each must be something special. Out of the current Avengers line-up (not including Edward Norton’s Hulk), they are the only ones to have starred in standalone films. While Marvel teased big plans for Mark Ruffalo’s Hulk and Scarlett Johansson keeps lobbying for a Black Widow movie, poor Hawkeye is chillin’ in left field. He does have a significantly larger part to play in Avengers: Age of Ultron, but will we ever get to see him in a solo Hawkeye film?

The Daily Beast recently spoke with Renner about his latest reprisal of the character for this weekend’s big superhero movie event, but the site also asked about this pressing issue. According to Renner, it’s not out of the realm of possibilities.

There are always talks about things, but that doesn’t ever mean they’ll become a reality. All these things can still happen. They just pave some road and plant some seeds for future things—if they choose to go down that road.

AVENGERS AGE OF ULTRON SPOILERS from this point on! 

So at the end of Marvel’s Avengers: Age Of Ultron, Wanda Maximoff (Elizabeth Olsen) becomes a full-fledged member of the team, and gets a brand new costume (and hairdo) to mark the occasion. She’s seen using her powers to levitate, and as she lands the camera pans up for the reveal, which is why we only have an image of her from the waist up. Those hoping for something more similar to the barely there outfit she sports in the comics might be disappointed, but I think most would agree it’s a pretty cool look for the character.

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******AVENGERS AGE OF ULTRON SPOILERS******SCARLET WITCH NEW COSTUME
Posted by Sean Murphy TV on Monday, 27 April 2015

Spider-Man: The New Avenger? According to Umberto Gonzales (who is no longer part of Latino-Review and is instead creating his own site), that might be the title of Marvel’s Spider-Man reboot.

It’s strictly a rumour for now, and chances are that those previous reports about the movie being called Spectacular Spider-Man were correct. However, Spider-Man: The New Avenger works a lot better, especially as it will make it clear to regular moviegoers that this version of the wall-crawler exists in the same world as The Avengers, and not the one created by The Amazing Spider-Man movies. Kevin Feige will want to do everything possible to distance this franchise from that one.

This title would also confirm that Spidey will be a member of the team which rumour has it will be led by Doctor Strange in the Marvel Cinematic Universe following the events of Captain America: Civil War.

Joss Whedon has been talking about the confusion he caused by killing off Agent Coulson in The Avengers movie, bringing him back to life in the Agents of S.H.I.E.L.D. TV show, but then keeping him dead for Avengers: Age of Ultron.

IGN caught up with the writer-director to discuss the new film, and asked if Phil Coulson is indeed still deceased as far as the movies are concerned.

“Yeah he’s dead. The entire television series is just a fever dream. It’s a Jacob’s Ladder moment he’s having at the point of death, but we don’t give that away until after season seven. And there’s a snow globe. Now I’ve given it away. Bollocks!

“It’s a weird little yes and no. As far as I’m concerned in the films, yes he’s dead. In terms of the narrative of these guys [The Avengers] his loss was very important. When I created the television show, it was sort of on the understanding that this can work and we can do it with integrity, but these Avengers movies are for people to see the Avengers movies and nothing else. And it would neither make sense nor be useful to say ‘Oh and by the way remember me? I died!’”

And it sounds like the somewhat confusing decision has caused some consternation within the MCU.

“I think actually the movie people were a little bit cross about the TV show.” “They were sort of like ‘Well you can have this but not this. And this but not that.’ It’s complicated enough as it is without me adding another layer of complication. We also created a TV show called S.H.I.E.L.D. right before they made a movie where they destroyed S.H.I.E.L.D.. So everybody’s having a GREAT time!”


In the above interview with IGN, Avengers: Age of Ultron director Joss Whedon confirms that he pushed for Daredevil to get a movie rather than a TV show. It’s not a fight he won obviously, and Kevin Feige’s decision to reboot the character on the small screen obviously paid off in a major way as the Netflix series has been hugely successful. Why then did Whedon want DD to get a movie?
“I fought for Daredevil to be a film instead of a TV show,” Whedon reveals. “Then under the auspices of Drew Goddard and Steve DeKnight… I’m dying to see the show but they released it just as I started the press tour! If the show’s working, the show’s working. Comic books are serialised entertainment and a lot of them lend themselves to TV shows as much or more than they do to movies.” Charlie Cox has said that he would like to star in a Daredevil movie, while there have been rumours that the Man Without Fear will show up alongside his fellow Defenders in Avengers: Infinity War. A cameo in Captain America: Civil War is looking extremely unlikely. 
What makes Whedon suc a big fan of the character? “I like him because he’s basically Marvel’s Batman, thanks to Frank Miller basically. So for me I didn’t think they’d be able to sustain that sort of mood on TV but TV has changed so much. It’s come up so much that I think it might just be the right place.” 

It could just be a matter of time before Marvel and Sony officially announce our new Spider-Man, because the latest report reckons Asa Butterfield (Ender’s Game, Hugo) is not only the frontrunner, but might possibly have the role in the bag already. Latino Review‘s sources believe the 18-year-old actor is the favourite, with one of them pretty sure he’s already been cast, claiming “Marvel had liked him since day one.”

After launching in 44 markets with $200.2M, Walt Disney’s Marvel Avengers: Age of Ultron is setting foot in the states. Conservative estimates see the film doing safely $200M at the domestic B.O. at a total of 4,247 engagements, but industry estimates see the Marvel superhero team film easily kicking the first Avengers, which owns the highest domestic opening of all-time at $207.4M, aside with a bow of $210M-$230M. Note that $230M is a very aggressive estimate.

At the recent Los Angeles press day for the film, Collider landed an exclusive interview with Scarlett Johansson. She talked about the positive reception for the film, how much Kevin Feige has told her about Black Widow’s future, working with Captain America: The Winter Soldier directors Joe and Anthony Russo again on Captain America: Civil War and what she thinks of them directing Avengers: Infinity War, her reaction to reading the Civil War script, her Marvel contract, and her thoughts on a solo Black Widow movie.
Obviously your character is an integral part of the Marvel universe and for the foreseeable future. How much has Kevin Feige told you, ‘This is where we’re going with the character’ and how much is it you figuring it out movie by movie?
JOHANSSON: I think in the grand scheme of things The Widow has a greater purpose, and I think all of the characters do one way or another. There’s definitely –especially with the Civil War coming up I think it’s pretty clear where the pieces will fall. I think all that we’ve built up to this point, in regards to our characters’ own individual kind of moral compass and thought process, and background, and training, and experience, will have us kind of siding one way or another. That part of it is –I know where I’m going, I’m not always sure how I’m gonna get there, and that is developed over each film.
You’re getting ready to film Civil War, which so many of us are so excited for, also because Spider-Man’s being brought into the picture and you’re working with Joe and Anthony Russo again. How excited are you to jump back in to something that so many fans are looking forward to?
JOHANSSON: I’m excited to work with the Russos again, they have a very different approach to this universe than Joss, just different. It will be interesting to see how they treat all of these new characters. When we were doing Cap 2 the film felt very much like we were doing a kind of ‘70s style car-chase political thriller; it had that kind of flavor, but they were also dealing with far less characters, the stakes were just different. Now with Civil War it’s gonna be interesting to see how they set up this next phase. I think Cap 3 is definitely sort of like a pre-Avengers 3 and 4, it feels like that, whereas Cap 2 didn’t feel like necessarily it was part of The Avengers. I mean, it does and it feels like a piece that fits in, but it didn’t feel like it was leading you into Avengers 2.
Have you read the script for Civil War? What was your reaction when you did?
JOHANSSON: I have read the script for Civil War. You know, the film has a very different feeling than kind of anything that I’ve read or been a part of Marvel’s before. These films are –I don’t think darker is the right word because there’s definitely always going to be some kind of levity and that comes in like a form of humor, or hope. When you compare these films to like Batman, it’s a different feeling obviously, it’s a different audience experience, but these films as the stakes loom like larger and larger I think these films are kind of maturing with the audience; so there’s even kind of more –I think– complex psychological twists that I sort of hadn’t necessarily anticipated.
Your relationship with Cap is so strong from Winter Soldier, does that automatically mean Black Widow sides with Cap in Civil War?
JOHANSSON: [Laugh]. I can’t say anything about that. [Laughs].
[Laughs] I had to try though.
JOHANSSON: I think that…It’s…I can’t say anything [Laughs].
There’s been a lot of talk that with Avengers: Infinity War Part I and II some of the cast might only be in Part II because of contracts. Are you in both parts of that, do you know?
JOHANSSON: I don’t know, I believe so. I have no idea exactly what shape those scripts are gonna take, so it’s too early to say.
I wanted to specifically ask a lot of the cast yesterday about contracts, because a lot of people are coming near the end of their contracts, and I don’t know what you signed on for, I don’t know if it’s public knowledge. But are you nearing the end of your contract?
JOHANSSON: My contract has changed; myself and Marvel didn’t really know how the fans were gonna react to Black Widow the first time and how she was gonna be—they couldn’t anticipate how they would want to user her or if they would want to use her. I mean we invest in that character, but the audience had a great reaction to the character, which has been so awesome. For instance, I wasn’t contracted into doing Cap movies, but that storyline worked out so well I kind of branched off and I found myself in that standalone movie. My contract is kind of mutating, I guess [Laughs] or morphed to fit the demand of the character.
So basically you still have multiple pictures left or it’s been a good relationship back and forth?
JOHANSSON: It’s been a very good relationship back and forth and I think Marvel—the one thing about working with them is they don’t want anybody to work in the movie that doesn’t want to be there, obviously. So whatever you’re contracted to should not feel like golden handcuffs, and they don’t want that either.
A lot of people want to see a solo Black Widow movie and were a little bit disappointed that on the epic schedule that Marvel released, there was no solo movie. How do you feel, do you want to have a solo movie on your own, or do you feel that maybe the character is best when it’s part of this group ensemble?
JOHANSSON: I think that there’s room for a standalone movie. The character has a really rich origin story and I’ve been really fortunate to kind of place all these layers on top of one another and kind of build up this character to this point where I think I can now start to peel them away and reveal different sides of her and really focus on—I think I’ve been able to grow with the character, the character’s been able to grow with me. Her dilemma that she faces it’s a deeply personal one, she has this great, huge, epic kind of calling and now is suddenly going, ‘Wait a minute. I have this epic calling, but I wanna make a choice for myself. I feel like I’ve put in the hours, I should be able to make active choices’ and she inevitably chooses the heroic path and kind of puts her own personal desires and needs aside. Those are things that kind of butt up against each other and interesting things happen when you have a character that’s pulled in many different directions and I think there’s –In my mind there’s room for plenty of more Black Widow and certainly more –I think I could see her in a standalone film.
If you don’t mind, have you actually asked Kevin, ‘Hey, Kevin…’?
JOHANSSON: I’ve spoken to Kevin about it. I mean, of course, of course we’ve had that conversation before, and I think Kevin would also like to see a standalone film. I think I can speak for him and say that. That’s all, really. Right now I think this character is used well in this part of the universe, but I think that Kevin, I mean, we’ve talked about it and we both share similar vision for what could be a standalone series.
And THAT’S ALL FOLKS!! Be sure for to check out more news here, and see you next week!

Elizabeth Olsen Confirms She’ll Return As ‘Wanda Maximoff’ For CAPTAIN AMERICA: CIVIL WAR

We’ve heard rumors about which MCU characters may or may not play a part in Captain America: Civil War, but aside from some of the obvious major players we haven’t really had any other confirmations… until now.

During the Meet The Filmmakers event at London’s Apple Store, Elizabeth Olsen was asked if she will be reprising her Avengers: Age Of Ultron role of Wanda Maximoff/Scarlet Witch for the Marvel threequel and responded affirmatively, saying: “I guess I’m allowed to talk about that now”. This has yet to be made official by Marvel, but after this it probably won’t be too long until it is. Olsen didn’t elaborate any further but did reveal that she begins shooting the movie in 2 weeks time in Atlanta.

The Avengers: Age of Ultron will be in theaters May 1, 2015; Ant-Man on July 17, 2015; Captain America: Civil War – May 6, 2016; Doctor Strange – November 4, 2016; Guardians of the Galaxy 2 – May 5, 2017; Spider-Man reboot – July 28, 2017; Thor: Ragnarok – November 3, 2017; The Avengers: Infinity War Part 1 – May 4, 2018; Black Panther – July 6, 2018; Captain Marvel – November 2, 2018; The Avengers: Infinity War Part 2 – May 3, 2019; Inhumans – July 12, 2019.

Avengers Assemble For New AVENGERS: AGE OF ULTRON Photos

In case you weren’t already convinced or need to get your fix, Marvel has released four new Avengers: Age of Ultron images. They aren’t too spoilery but it’s better than getting nothing from the folks at Marvel!
Check out the new Avengers: Age of Ultron images below. The films opens in 3D on May 1st, and stars Robert Downey Jr., Chris Evans, Scarlett Johansson, Mark Ruffalo, Jeremy Renner, Samuel L. Jackson, Elizabeth Olsen, Aaron Taylor-Johnson, and Chris Hemsworth.

Marvel Studios presents Avengers: Age of Ultron, the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s Avengers: Age of Ultron stars Robert Downey Jr., who returns as Iron Man, along with Chris Evans as Captain America, Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction. Along the way, they confront two mysterious and powerful newcomers, Wanda Maximoff, played by Elizabeth Olsen, and Pietro Maximoff, played by Aaron Taylor-Johnson, and meet an old friend in a new form when Paul Bettany becomes Vision. Written and directed by Joss Whedon and produced by Kevin Feige, Marvel’s Avengers: Age of Ultron is based on the ever-popular Marvel comic book series “The Avengers,” published in 1963. Get set for an action-packed thrill ride when The Avengers return in Avengers: Age of Ultron May 1, 2015.

New AVENGERS: AGE OF ULTRON Descriptions For ‘Ulysses Klaue,’ ‘Baron Strucker’ And More

Film Police Reviews has just provided some details regarding a few of the supporting characters, including Andy Serkis’ Black Panther villain Ulysses Klaue (not Klaw), Thomas Kretschmann’s HYDRA operative Baron von Strucker, and Claudia Kim’s mysterious Dr. Helen Cho. There are also some intriguing characters descriptions for the Maximoff Twins as well as the mighty Thor, whose bio seemingly teases what’s to come in Thor: Ragnarok and the Avengers: Infinity War movies. Read on below with caution!

Tony Stark/Iron Man (Robert Downey Jr.). Brash but brilliant billionaire Tony Stark returns, still struggling with the emotional fallout from the Battle of New York that took place in The Avengers. Tony is now bankrolling his Super Hero dream-team in an ongoing effort to protect the world from the evil forces that he knows are out there. Stark carries the weight of the world on his shoulders, which leads him to team up with Bruce Banner to create Ultron as the ultimate peacekeeping program.

Steve Rogers/Captain America (Chris Evans) has fully embraced the mantle of team leader, but with the unraveling of S.H.I.E.L.D. in Captain America: The Winter Soldier he continues to reconcile with what he has lost in a world he does not totally recognize. Outmatched and on the run, he must find a way to rally The Avengers and find a way to defeat the terrifying Ultron.

Thor (Chris Hemsworth). The Asgardian God of Thunder returns as Earth’s sworn protector. More brash and powerful than ever, Thor serves as the moral compass for the team and continues his personal quest to find the identity of his brother’s secret ally while also warning his teammates of threats that are bigger than any of them can imagine.

Bruce Banner/The Hulk (Mark Ruffalo) is back and ready to be unleashed as The Avengers’ not-so-secret weapon. He has embraced the Hulk and is now an important part of the team, although surprising protocols have been put in place to make sure Hulk doesn’t ever get out of hand in a conflict. Banner worked alongside Tony Stark to develop the Ultron program as a peacekeeping initiative.

Natasha Romanoff/Black Widow (Scarlett Johansson) returns to the fray as the deadly and beautiful super-spy turned hero. Her intelligence, resources and lethal fighting ability far outweigh her lack of “super” powers. With the threat of Ultron looming, Natasha will need to confront the demons of her shadowy past and draw strength from her teammates to defeat him.

Clint Barton/Hawkeye (Jeremy Renner). A skilled and accurate archer, Hawkeye is one of the team’s most lethal operatives. After having his mind controlled by Loki in The Avengers, Hawkeye returns to the team in fully functional mode, complete with more advanced weaponry.

Pietro Maximoff/Quicksilver (Aaron Taylor-Johnson) has the power of super-speed. He is fiercely protective of his twin sister Wanda and will do anything to defend his war-torn home of Sokovia. Along with his sister, he volunteered for a secret program and gained his speed through Baron Strucker’s experimentation with an unusual power source.

Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) is the beautiful and mysterious twin sister of Pietro. Possessing the powers of mental manipulation and telekinesis, Wanda as Scarlet Witch is able to attack her enemies from the inside out. Along with her brother, she is the product of Baron Strucker’s experiment.

Ultron (James Spader) is a technological super villain the likes of which have never been seen. Unhinged and terrifying, Ultron is born out of a corrupted pilot program that Tony Stark and Bruce Banner created to help usher in peace on Earth. When their programming went haywire, Ultron came to life with the goal to save the planet by eliminating the biggest threat to it—humanity. He will stop at nothing to see this goal realized and promises to kill The Avengers for daring to try to stop him.

Nick Fury (Samuel L. Jackson), the man that first brought The Avengers together, is now disavowed and living in hiding after the events of “Captain America: The Winter Soldier.” Nevertheless, Fury continues to be an important mentor and leader for our team of heroes.

The Vision (Paul Bettany) is a powerful and mysterious android that is raw, dangerous and uncontrollable.

Ulysses Klaue (Andy Serkis) is a black-market arms dealer, smuggler and gangster operating out of South Africa. He is a former acquaintance of Tony Stark’s from his weapons-dealing days and a powerful new player in the Marvel Cinematic Universe.

Baron Strucker (Thomas Kretschmann) is a brilliant HYDRA scientist who worked under the cover of S.H.I.E.L.D. for far too long. Human experimentation, advanced robotics and artificial intelligence are just a few of the things Strucker is working on when Wanda and Pietro Maximoff volunteer for his program.

Dr. Helen Cho (Claudia Kim) is a world-renowned geneticist and an ally of The Avengers. From her offices in Seoul, South Korea, to sharing workspace with Bruce Banner in his lab at Avengers Tower, Dr. Cho’s research and technology help keep The Avengers in the fight.

Marvel Studios presents Avengers: Age of Ultron, the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s Avengers: Age of Ultron stars Robert Downey Jr., who returns as Iron Man, along with Chris Evans as Captain America, Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction. Along the way, they confront two mysterious and powerful newcomers, Wanda Maximoff, played by Elizabeth Olsen, and Pietro Maximoff, played by Aaron Taylor-Johnson, and meet an old friend in a new form when Paul Bettany becomes Vision. Written and directed by Joss Whedon and produced by Kevin Feige, Marvel’s Avengers: Age of Ultron is based on the ever-popular Marvel comic book series “The Avengers,” published in 1963. Get set for an action-packed thrill ride when The Avengers return in Avengers: Age of Ultron May 1, 2015.

Source: Film Police Reviews

Elizabeth Olsen Talks AVENGERS: AGE OF ULTRON

Marvel have lifted yet another embargo on the many Avengers: Age of Ultron set interviews this time for Elizabeth Olsen otherwise known as Scarlet Witch. During a break in the production, journalist from many websites got to participate in an extended group interview with Elizabeth Olsen. She talked about working with Joss Whedon, Scarlet Witch’s powers, her costume, her accent, working with Aaron-Taylor Johnson, and so much more. The full transcript is below. Avengers: Age of Ultron opens May 1st. Like you didn’t know.

Question: Could you talk about your Eastern European accent?

ELIZABETH OLSEN: Can I talk about it? It’s something we got to create because it’s a make believe place. So it’s something that Aaron [Taylor-Johnson] and I with the dialect coach got to create together.

What’s the name of the fake country?

OLSEN: That I can’t talk about. But I got to make it up, so yeah.

How are we introduced to your character?

OLSEN: I think you’ve already been introduced. The most beginning you will see is what’s in the end of Cap 2. There’s definitely a connection that is very evident, yeah.

Is that pretty much the costume you have for the whole movie?

OLSEN: Well, no. For the film, that world is very specific so it’s almost like hospitalish, and the way that we designed costume and character is based off of these two kids being on their own and using whatever they can to their best ability. Like if they see a street vendor, they just grab something off the street vendor, so it hints to Eastern Europe but it’s also kind of this gypsy, vagabond feel as well.

In some of the original drafts of Godzilla, your character and Aaron’s character were brother and sister. When that switched, had you guys already talked about doing this together?

OLSEN: When we were talking about the brother –I think we weren’t part of the brother/sister conversation for Godzilla. They just told us that they weren’t sure if they wanted them to be brother and sister but they’re pretty sure that they want them to be married and they’re pretty sure that they’re gonna give them a kid [Laughs]. That was the information we got and that’s where we basically started and we didn’t know about Avengers until after we finished filming Godzilla, which was kind of funny.

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Image via Disney
The comfort level of you two working on this film seems clear. Did you guys come up with something else pretty good?

OLSEN: Totally. I mean, if you look at the comics the two of them are always so close to each other, the proximity. Their comfortability around each other is so specific to the rest of the group, and so it’s nice to know Aaron and also nice to have a friend when you’re joining such a big project like this, with potentially intimidating people. So it’s been really nice to have Aaron and it is nice to feel like we have this –Like, they have their movies but we had a movie too it’s just not that one [Laughs]. So there’s that kind of teammate feel.

What were some of your first meetings with some of the other cast members, did they kind of give you any insight of what would change with joining this universe?

OLSEN: The first person both Aaron and I got to work with was Jeremy Renner because we were shooting in Italy, as everyone has seen, and he’s so straight about how this is gonna go. These were the first days of shooting the cast, I think, and it is the most waiting I’ve done on a film, so that kind of keeping that energy up is really difficult. You get on set and you have to have one thing that you hook into to remind yourself to give you that energy and the drive of your character. Just talking with him was interesting and fun and I still enjoyed working. I mean, everyone that we’ve met it’s just been –Everyone is so nice. I was ready for like maybe some sort of diva, there’s none of that at all on this set. All the actors are unbelievably fun and giving and kind, and it’s amazing.

Do you have a favorite Avenger?

OLSEN: Personally?

Yes.

OLSEN: I’m kind of digging what I get to do and I’m really excited. Well, my favorite –Just as a fan– was Iron Man. Those are my favorite films, and that’s how I got into the Marvel world and becoming a fan myself. I wouldn’t mind continuing to do this for quite some time because I’m having so much fun working on Scarlet Witch/Wanda, she’s so awesome. I think Joss [Whedon] is excited by her also, and so the two of us kind of dork out a bit and it’s pretty fun.

Just going of what we saw in Cap 2, what’s the relationship like between Wanda and Baron Von Strucker, is that something that continues throughout the film?

OLSEN: It’s something people will learn later. It’s kind of what is there, I mean, it is what it is.

Is he mystic, or do they share similar ideas, can you give us anything?

OLSEN: No, I think there’s a bit of all of it, you know. It’s interesting. I don’t know what I can tell.

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Image via Disney
In that scene at the end of Winter Soldier we see the character manipulating objects with telekinesis and then today we learned that your character can get in the minds of people. Can you talk about the ability and power set of this version of Wanda?

OLSEN: Yeah. So, I am able to go into someone’s head and make them see their almost like –I can feel and see what they feel and see, so it’s not just manipulating them. But what I love about her is that in so many superhero films emotions are kind of negated a bit but for her everything that someone else could feel, like their weakest moment, she physically goes through that same experience with them, which is pretty cool. So if they have a biggest darkest fear, I could see that.

So like shoot thing, or control things?

OLSEN: Yeah I can control energy. I can manipulate energy. So that’s what the red stuff is that we’re playing with.

Can you talk about just coming up with the physicality, how do you play those things?

OLSEN: It’s been so fun because you can’t be like, ‘Well, how does this magic witch hero move?’ There’s nothing physically that you can just reference from dance, martial arts, or anything like that. So we started off with Joss kind of having these ideas based off just images in the comics of what the hand gestures look like or the arms look like. And then I worked with a dancer, Jenny White, she’s a dancer and so the two of us get locked up in a room together and we move and we try and figure out what looked strong or where the energy comes from. But also in the film I get to have a journey of discovering how powerful she can be, in a way. So we gotta start somewhere, we gotta figure out what all those different levels are. But it’s funny because everyone’s doing like stunt practices and choreography and everyone’s getting beat up, and she and I are just doing weird moves and pretending like we’re making things shoot out of our hands [Laughs]. I can’t get injured that way and I feel not as tough as everyone but it’s super fun.

It’s playful.

OLSEN: It is, it’s so playful, and I danced growing up so it’s nice to have be able to have some sort of creativity in movement and a say in it. It’s pretty awesome.

Can you talk about just having this amount of power and it’s a lot to take in somebody’s deepest, darkest fears. When they’re not leveled does she try to maintain a level of sanity?

OLSEN: Well, I think that’s what’s so awesome about the trajectory of where she could go, potentially. But I think in this film it’s just the beginnings of everything, it’s all just starting.

That’s kind far because in the comics she does get really powerful to the point where.

OLSEN: She can destroy everyone.

Yeah. So in this one are you still kind of learning to use your powers or have you gotten used to them?

OLSEN: No, we made the decision that she’s already been able. Because we played with the idea of how much can she do yet in the beginning of the film, and at first it was like not much. But we’ve kind of decided to have her hone in to understand some sort of strength to her abilities. But then they do grow, there’s definitely a sense of confidence that she knows what she’s doing from the start.

Can you get into the Avengers’ heads, have you filmed the scenes with everyone, do you get into everyone’s heads?

OLSEN: Can I say that? Yeah, I can do that. I do that to everyone.

Does that include robots?

OLSEN: I don’t think so. I don’t think that includes robots.

Have you filmed the scenes with the cast already?

OLSEN: We just filmed an awesome scene where we’re basically all in one room the last few days. It’s been so cool. Aaron and I were kind of like, ‘This is amazing. I can’t believe they have all these people in one room, and they can all be in London’ But yeah, we did that. That was more of like a talky scene, and it was a lot of fun.

Do we get to see any interaction, or relationship building between Wanda and Vision (Paul Bettany)?

OLSEN: Umm, I think they’re both being introduced in this film. I think if you’re like a big fan and you know what happens, maybe you’ll start putting in your own interpretation on to things. But other than that it’s just everyone is kind of being created and born. All these new people are being added in a way.

Is there humor with your character? Because she seems kind of dark.

OLSEN: I think there’s humor with her brother, I think there’s a lot of humor there. Jeremy Renner’s character is hilarious for some reason to me [Laughs]. He’s like a big grump, he’s really funny, he’s always complaining. But the humor that I have would be more like being the –Because I think that Quicksilver/Pietro (Aaron Taylor-Johnson), his energy, we’re like Ying and Yang almost and I think that interaction to me is funny. But it’s not funny, I’m not saying like funny [Tony] Stark (Robert Downey Jr.) lines, but.

What was it like being Joss’ female hero?

OLSEN: Well, you feel like you’re in good hands and the cool thing is that he hasn’t been able to create these characters. He’s been given them from other directors or writers from their other franchises and he’s been adapting, taking what has already been created and serving them in Avengers. And in this he’s able to create Wanda and he’s such a huge fan of her and it’s really awesome to get to have that. I think he’s enjoying also having the experience where he gets to create it, because he’s such a fan of creating these strong, amazing women. There’s obviously Black Widow (Scarlett Johansson) but it’s nice to have another strong presence. Usually I haven’t been around when Scarlet was working, so I kind of feel like the only female most of the time and it’s nice to have a stronger presence, instead of a weak one, or like an office one or something.

Does she tangle with Widow at all?

OLSEN: A little bit, a little bit. We got to work a little bit together.

What was your reaction when you saw what your costume would be like?

OLSEN: Well, the first thing Joss ever said to me before I even got the job when we were first meeting, he said, ‘When you look at the images, look at the comics, know that we are not making you look like that. You will not have to wear bathing suits or look like a porn star’ [Laughs]. So that made me feel great and then Alex [Alexandra Byrne] –who’s our costume designer– is really clever in being able to take the images and the iconic ideas of these characters and these comics on these cartoons, and adapt them to some sort of modern day world. Like how would it actually exist but still make it feel like it’s not of this world in a way. So I’ve been totally loving it and I love all of my costumes, and I love all the details. There were so many little pieces and they’re all so unique and I think it all just adds to their journey as these twins, together.

So many of the films you’ve done before now, that you’re known for, are smaller films in comparison to the size of production. Is there really any difference between the processes or is it just the scale?

OLSEN: Yeah. No, there’s a huge difference. Massive difference. It’s really interesting because you get to learn a different way of working. Like, I like having all the structure. I’ve always enjoyed having tons of structure because then you can be as free as you want within it, and in this it’s like you have that structure and everything is in Joss’ head or Kevin [Feige]’s head and everyone has figured out how this is gonna go. It’s almost like a cartoon before you get there. So you have to bring just humanity and life and your own personal interpretation of everything. But it’s not like you can decide, ‘Oh, I’m gonna go walk over and touch that thing across the room’ You can’t do that, there’s like six cameras set up. So it’s totally a different way of working but you have to be so specific and you just have to do it right when they give you the opportunity because you don’t have a lot of opportunities because they have to keep moving with all the other set-ups. And then when you do something smaller it’s like you’re getting to exist in a room with one camera guy and do that kind of a dance.

Joss is known for altering, tweaking dialogue on the day in the scene, has he done anything drastic with any of your dialogue or any of your stuff?

OLSEN: No, and if there are –I mean, we’ve had like script changes where we’ll come on to set shooting a scene and they’ll be like, ‘Oh, by the way, we’ve added a scene right before this’ and you’re like, ‘What?’ and then that scene changes your whole opinion of what your about to shoot, but that’s ok. You can change your mind really quickly [Laughs]. So that’s the only thing but not –Maybe intentions have changed while we’ve been shooting as the script has been changing, but nothing that you ever feel unprepared for.

Do Wanda and Pietro have any direct relation to Ultron [James Spader] other than he drags them to the fight with him or is that something that comes together later?

OLSEN: I think our relationship to Ultron will not be shared [Laughs].

So there is a relationship, you just can say anything.

OLSEN: I mean, there isn’t.

avengers-age-of-ultron-hemsworth-downey-evans
Image via Disney
Does she having the ability to see somebody’s fear, does she also have the ability to see sort of their future, whether they’re good or bad after a relationship with them?

OLSEN: Well, I think they way I’d like to answer that is that I think we can know so many things about someone but not know maybe what they’re capable of in terms of being bad or good. And I think everyone has maybe good intentions but they do bad things. So she can’t, I don’t think anyone can differentiate that.

When you were first meeting with Joss and talking about costume ideas, when he was pitching the character to you, did he pitch you like an overall plan saying, ‘Here’s some things that’s gonna happen over the course of this characters’ life’ or is he just like, ‘Here’s what I’m gonna do with this one’?

OLSEN: No, it was more like ‘Here’s what we’re gonna do with this film’ and the while we’ve been on set I just like making jokes like, ‘Wouldn’t that be awesome if this happened too, later, at a different time’ and that’s about it [Laughs]. Because the world that she almost creates on her own in the comics is just so awesome and I’m sure it’d be so fun to play but I would love to do more.

Marvel Studios presents Avengers: Age of Ultron, the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s Avengers: Age of Ultron stars Robert Downey Jr., who returns as Iron Man, along with Chris Evans as Captain America, Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction. Along the way, they confront two mysterious and powerful newcomers, Wanda Maximoff, played by Elizabeth Olsen, and Pietro Maximoff, played by Aaron Taylor-Johnson, and meet an old friend in a new form when Paul Bettany becomes Vision. Written and directed by Joss Whedon and produced by Kevin Feige, Marvel’s Avengers: Age of Ultron is based on the ever-popular Marvel comic book series “The Avengers,” published in 1963. Get set for an action-packed thrill ride when The Avengers return in Avengers: Age of Ultron May 1, 2015

Source: Collider

Joss Whedon, Elizabeth Olsen, And Aaron Taylor-Johnson Talk AVENGERS: AGE OF ULTRON

While BuzzFeed was among the folks who visited the set of Avengers: Age of Ultron last year, the media site talked very recently with Elizabeth Olsen, Aaron Taylor-Johnson and Joss Whedon, who confirmed to them amid post-production that the sequel runs 142 minutes; a full minute shorter than The Avengers. The director also talked in-depth about the newcomers Scarlet Witch, Quicksilver, and ultimately what stars Elizabeth Olsen and Aaron Taylor-Johnson bring to the characters as well as to the highly-anticipated film. “They don’t like America, and they don’t like the Avengers,” said Whedon of the Twins, who he says volunteer for their superpowered fate essentially because of their hatred of Earth’s Mightiest Heroes (especially Iron Man). “We only touch on it briefly — there was more. When the movie was an hour longer, everything got explained a lot. The Avengers are like a world power, and not everybody’s on board with the Avengers coming in and starting fights, even in the name of justice. So you need that dissenting voice, and you need to understand it and sympathize with it.”
About Aaron Taylor-Johnson, and what he brings to Pietro Maximoff aka Quicksilver, Joss Whedon says, “He is an old-school movie star.” He continued, “Pietro has always been kind of a dick. Aaron is so beautiful — like sculpture beautiful — that you buy him as somebody who’s going to be a little arrogant. He’s not as a person. He’s a dear. He works his ass off. But I knew that he could play that guy.” As for Elizabeth Olsen, who portrays Wanda Maximoff, Whedon says Marvel had suggested he watched her performance in the 2011 drama thriller Martha Marcy May Marlene. “I met her, and was like, Oh yeah,” he said. “This is not a conversation either. I think she’s unforgettable.” The director added that the actress’ demeanor helped to ground the Scarlet Witch’s “theatrical” persona from the comics. “She’s not going to wear a giant tiara and a red leotard,” Whedon reassured.
Joss Whedon then went on to discuss how the Scarlet Witch’s ability to exploit other people’s weaknesses had introduced a new storytelling opportunity for him. “She can make you have a nightmare, is one way of putting it,” he said. “‘Trip balls,’ would be another one. That was something I very much wanted, because it meant we could spend a little time inside the Avengers’ heads — either their past or their impressions of what’s going on, or their fears, or all of the above. And confronting that is very debilitating for the Avengers, but it’s also kind of revelatory. That’s not the movie I made last time. I could never have done that.” Whedon also confirmed to BuzzFeed that the cameos made by Idris Elba (Heimdall) and Hayley Atwell (Peggy Carter) will be seen through these nightmare sequences. About getting into the Avengers’ minds, Elizabeth Olsen says: “I do get to be a part of strong turning points in the story. If you’re in a group of a lot of men, it’s really easy to make the guys be the turning points. I actually get to charge things, which is nice.”

For Taylor-Johnson, it was doubly strange, since Peters had played one of his best friends in Kick-Ass. “I bumped into him, actually, at Comic-Con [in 2013], when we were doing Godzilla, and they were doing X-Men. I said to him, ‘How was it? How was the shoot?’” Taylor-Johnson remembered with a laugh. “I think the X-Men movies are great. I don’t fear things like that. I feel like without Scarlet Witch, you haven’t really got Quicksilver. We’re not just, like, a little moment in this. We have a story. We have a history. Yeah, OK, he’s fast as fuck, but who cares? It’s just a super power, you know? You’re gonna want to know about Tony Stark in order to love Iron Man. We want to know [Bruce] Banner before we can understand why he’s so destructive as Hulk.”

Both Olsen and Taylor-Johnson were keenly aware of the expectations that come with bringing 50-year-old comic book characters to life on screen amid such a star-powered ensemble. But they dealt with their anxieties in contrasting ways that, coincidentally, remained true to their characters’ divergent temperaments.

Olsen and Joss Whedon on the set of Avengers: Age of Ultron Jay Maidment / Marvel
“It feels like the more of a fool you make of yourself, the easier it is for everyone to become your friend faster,” said Olsen matter-of-factly. “Especially being a chick. When you’re a chick, and there are like six guys in the room that you’re working with, you’ve gotta do the guy jokes, which is fun for me.”

Taylor-Johnson, meanwhile, saw things at first through a much more skittish lens. “Stepping onto the set is quite daunting, scary, overwhelming, surreal,” he said. “I remember the first week I was like, I’m doing an eastern European accent, I’ve got a white wig, and it’s sort of not yet fitting right. I’m going to be a rookie on set. And they’re going to put us through initiation tests to fuck with us.”
It turned out to be quite the opposite. While their characters believe they can only rely on each other and look upon the Avengers as, at best, barely tolerable, the actors quickly learned they had joined a team of supportive colleagues.

“Downey actually did a little dinner for us all,” said Taylor-Johnson. “It was both Chrises, Mark, Jeremy, me, Lizzie, a couple nights before we had a big scene. … Everyone looks out for one another. It’s a real family. It’s really nice. You know, someone like that knows the power they have. The fact that they do that — it’s brilliant.”

Whether the pair will become more permanent members of the Avengers family remains unclear. Taylor-Johnson would only say that his status “is sort of up in the air,” and Olsen allowed that her commitment is “this [film], and another.” But in a cinematic universe derived from decades of comic book lore — where characters can disappear and even die only to be resurrected via alternate dimension, life model decoy, or some other fanciful creative invention — one never really knows what might be next. Especially since, in the case of the Maximoff twins, Age of Ultron just scratches the surface. “I have no idea what’s in store,” said Olsen. “Like, not a clue. But I like the character so much. I can’t wait to steal stories from the comics. I think it’d be really fun.”

Marvel Studios presents Avengers: Age of Ultron, the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s Avengers: Age of Ultron stars Robert Downey Jr., who returns as Iron Man, along with Chris Evans as Captain America, Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction. Along the way, they confront two mysterious and powerful newcomers, Wanda Maximoff, played by Elizabeth Olsen, and Pietro Maximoff, played by Aaron Taylor-Johnson, and meet an old friend in a new form when Paul Bettany becomes Vision. Written and directed by Joss Whedon and produced by Kevin Feige, Marvel’s Avengers: Age of Ultron is based on the ever-popular Marvel comic book series “The Avengers,” published in 1963. Get set for an action-packed thrill ride when The Avengers return in Avengers: Age of Ultron May 1, 2015.

Source: BuzzFeed

New AVENGERS: AGE OF ULTRON Stills And BTS Footage

Marketing for Avengers: Age of Ultron is kicking into high gear as we move into the month of April, which will see plenty of TV spots, clips, and cross-promotion among other things leading up to the highly-anticipated May 1st release date. Kicking things off, E! Online has followed TV’s Extra and Access Hollywood in revealing a set visit coverage with action-packed behind-the-scenes footage of the sequence in which the Avengers face-off with “the Twins.” Also included are brief interviews with Chris Evans and Chris Hemsworth, as well as Aaron Taylor-Johnson and Elizabeth Olsen.

Furthermore, some new Avengers: Age of Ultron still images have been released, one of which is potentially spoiler-ish. Scanned from one of the many junior novels based on the Marvel sequel, the images feature HYDRA soldiers donning some familiar tech, as well as the team assembled at the Avengers Tower. Plus a new TV spot has been released showcasing the new “super siblings” of the Maximoff twins with some new footage.

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Super Siblings
Meet the two newest members of Earth’s mightiest heroes – Scarlet Witch & Quicksilver…
Posted by Marvel on Friday, 27 March 2015

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E! Online on the set of Avengers: Age of Ultron!
E! Online on the set of Avengers: Age of Ultron!
Posted by Sean Murphy TV on Friday, 27 March 2015

Marvel Studios presents Avengers: Age of Ultron, the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s Avengers: Age of Ultron stars Robert Downey Jr., who returns as Iron Man, along with Chris Evans as Captain America, Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction. Along the way, they confront two mysterious and powerful newcomers, Wanda Maximoff, played by Elizabeth Olsen, and Pietro Maximoff, played by Aaron Taylor-Johnson, and meet an old friend in a new form when Paul Bettany becomes Vision. Written and directed by Joss Whedon and produced by Kevin Feige, Marvel’s Avengers: Age of Ultron is based on the ever-popular Marvel comic book series “The Avengers,” published in 1963. Get set for an action-packed thrill ride when The Avengers return in Avengers: Age of Ultron May 1, 2015.

Joss Whedon Talks AVENGERS: AGE OF ULTRON, ULTRON ORIGIN, JAMES BOND SEQUENCE, And More!

Empire has one again caught up with another Avenger star this time with Joss Whedon. Empire was on set with Whedon at Shepperton back in April, and found that, even though he was exhausted just a few weeks in, he was engaging company, full of streams of consciousness, rhetorical questions, funny voices and sharp, perceptive points on the future of the Avengers.

Here are just some of things touched in their interview together but click the link down below for more,

How do you feel? 

What did Peter Jackson feel like at the end of Return Of The King? OK, for realsies, I get pretty tired last week when they all showed up. I’ve got all the Avengers and Sam, and your focus is absolute on everyone. It has to be. You are the only thing that matters. And it went well, and everybody was great and everybody was working hard and everybody was fun and they knew all their words and all the good stuff, but at the end of Friday I was like, I can neither move or speak. Saturday, I was like, I have to write… zzz…

But you’re starting with a pre-credits sequence, which is very James Bond. 

There is a pre-credit Bondian blow-out. The James Bond theme has come up more than a few times, mainly because the locations are so beautiful and in particular the opening location is really stunning. There was a moment where there were soldiers and different kinds of people fighting them, and these guys in winter camo come up on a castle in one of those mountain resort elevators that goes side-to-side and looks like a gumball machine, and I was looking at the Italian Alps and the mist and the castle, and this weird thing rises up, full of soldiers in winter camo, and everybody was like… [sings the Bond theme].

When did you know you wanted Ultron as the villain for this movie? 

Before I took the first movie. For me what was interesting is that he is this angry, and I hired the smoothest talker in Hollywood to play him. I did it on purpose. I needed a guy who can give you the Morpheus but then can just LOSE HIS SHIT. Spader’s really good at that and he’s really good at finding the darkness, but also the comedy. The comedy is always a huge thing for me. Tom Hiddleston is hilarious. Hiddleston can turn on a dime, which is my favourite thing. He can be absolutely apocalyptic and then, ‘Um, point of order?’ Ultron has the same thing. He is very different, obviously, in his rhythms and his concepts, but for me it’s a guy who’s that angry and who hates the Avengers that much and is also a robot and is therefore going to have every issue that a robot’s going to have with humanity anyway… there’s a lot to play there. For me, he’s an iconic figure.

Did you play around with his powers, and what he’s capable of?

Yeah, I did. The powers in comic books – they’re always like, ‘And then I can reverse the polarity of your ions!’ – well, we have to ground things a lot more. With Ultron, we have to make him slightly less omnipotent because he’d win. Bottom line. Also, having weaknesses and needs and foibles and alliances and actually caring what people think of him, all these things, are what make him a character and not just a tidal wave. A movie about a tidal wave can be great, but it’s different than a conflict between one side and the other.

When Ultron speaks, he has a point. He is really not on top of the fact that the point he’s making has nothing to do with the fact that he’s banoonoos. And that he hates the Avengers for bringing him into this world, and he can’t really articulate that or even understand how much he hates humanity. He thinks he all that. That guy is very fun to write. He combines all the iconic stuff. The powers he has are slightly different – he can control certain things, he’s not just firing repulsors.

And you also have Quicksilver and Scarlet Witch. 

They have an origin but it’s largely described. They’re already good to go by the time we’re up and running. You don’t want to fall into Spider-Man 3 territory – and I say that as a guy who actually thinks pretty well of that movie, there’s some great stuff in that movie – but there comes a point where you’re overloaded with frontstory, backstory, origin story and it becomes very hard to juggle. My instinct is always, ‘Don’t put in more, work with what you have.’

But I insisted on putting in more in this movie because I felt I needed more villains. I needed someone for Ultron to talk to, and I need more trouble for the Avengers. As powerful as Ultron is, if he builds more Ultrons, they’re Ultrons. There’s no reason for him to ever to talk to them because they’re him. ‘I need you to – I KNOW! I AM TOTALLY YOU! I DID IT EARLIER! I know that because I am also me.’ That’s not a good conversation. Actually, it sounded pretty good there. I think I’m onto something.

You’ve retconned Ultron’s origin. In the comics, Hank Pym – Ant-Man – creates Ultron. Here, it’s Tony and, to a lesser extent, Bruce.

Of all the heat I’ve ever taken, not having Hank Pym was one of the bigger things. But the fact of the matter was, Edgar had him first and by virtue of what Edgar was doing, there was no way for me to use him in this. I also thought it was a bridge too far. Ultron needs to be the brainchild of the Avengers, and in the world of the Avengers and the MCU, Tony Stark is that guy. Banner has elements of that guy – we don’t really think of him as being as irresponsible as Tony Stark, but the motherfucker tested gamma radiation on himself, with really terrible, way-worse-than-Tony-Stark results.

It didn’t make sense to introduce a third scientist, a third sciencetician, to do that. It was hard for me, because I grew up on the comics, to dump that, but at the end of the day, it’s a more interesting relationship between Tony and Ultron if Tony was once like, ‘You know what would be a really great idea?’ They’re doing what they always do – which is jump in headfirst, and then go, ‘Sorry, world!’ But you have to make it their responsibility without just making it their fault.

Avengers: Age Of Ultron is out on April 23 in the UK, and May 1 in North America.

Source: Empire

25 Things Revealed About "Avengers: Age of Ultron"!!

Digital Spy visited the set of Joss Whedon’s sequel last summer, and spoke to the man himself along with Mark ‘Hulk’ Ruffalo, Chris ‘Thor’ Hemsworth, and new recruits Aaron ‘Quicksilver’ Taylor-Johnson and Elizabeth ‘Scarlet Witch’ Olsen.

Below are 25 of the key things DigitalSpy learned from their day on set.

1. The Science Bros are causing trouble. “Banner’s been living in Stark Tower, and [he and Tony] have been working side by side,” Mark Ruffalo shares. “Banner has his own lab now, he’s doing work that augments Tony’s work, that could lead to a horrible experiment going wrong…”

2. Jeremy Renner’s Hawkeye will have a lot more to do this time out. “We got to do some interesting stuff with Hawkeye which is a different kind of dark,” Whedon teases. “It’s been fun for Jeremy because he was possessed for so long last time – it’s interesting to not be a zombie!”

3. We won’t see the Avengers assemble again (which hopefully also means we’ll be spared a silly alternative UK title). “This movie starts off and the team is together, on a mission, they’re working in tandem, and there are new relationships between them,” explains producer Jeremy Latcham. “Time has passed, so you pick up right in the middle of an action sequence and start trying to catch up.

“I think that’s fun for an audience, to try and figure out, ‘Wait, those two are funny together now, there’s something going on with them, maybe there’s a little tension over there’. You’re showing up at a party when it’s already a little bit started.”

4. One of the key new relationships will be between Bruce Banner and Natasha Romanoff, who already had a close shave in The Avengers when the Hulk almost ripped her apart. “They’re an unlikely pair, but there’s something about the two of them that neither can deny,” says Whedon, while Ruffalo describes them as “kindred spirits”.

5. “Bigger” and “darker” are two of the most clichéd terms you can apply to a franchise sequel, but Age of Ultron looks set to earn both – according to Ruffalo, it “makes the first Avengers look like Waiting for Guffman”.

Latcham expands on this by reminding us that much of The Avengers was shot on a small soundstage in Albuquerque, and that its New York City was created “in an old abandoned train station where we’d hung green screen and built part of a bridge.”

6. Not only are the locations real this time – they’re also global. “The Avengers saved New York, but the Avengers aren’t just about America,” Latcham says. “They’re here to protect this blue rock that we all live on.”

Hence Age of Ultron’s globe-trotting remit, which sees various strands of the gang show up in South Africa, Northern Italy (playing as Eastern Europe) and South Korea among other places. In preparation for one particularly spectacular set piece, producers asked the South Korean government for permission to shut down Seoul’s equivalent of the M1 for two weeks. They complied.

7. Whedon’s favourite character to write is Natasha. “She has a special place in my heart – there is one scene in each movie that was filmed pretty much unchanged from the first draft, and they’re both Natasha scenes. She’s just somebody that I feel like I get.” We’re starting the petition for a Whedon-helmed Black Widow movie here, guys.

8. New recruits Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen) initially join forces with James Spader’s Ultron against the Avengers, creating a very different balance of power than solo villain Loki. “Instead of Ultron giving a lot of speeches so everybody knows what he’s thinking, it’d be nice if he had some allies,” Latcham explains.

“The story that Joss put together with these two kids is really sweet and poignant, and you really understand why they would start on this side of the line. It’s a great journey that they go on, from being these rough and tumble kids in Eastern Europe who blame the West, and the Avengers for the plight, the power structure of the world that keeps kids like them down. Over the course of it they realise maybe the Avengers are here for good reason.”

9. But the brother-sister duo have legitimate beef with one Avenger in particular. “Our characters have a lot of anger, especially towards Tony Stark, and we want revenge,” says Olsen. “We meet Ultron, and he’s someone who preaches peace and… believes what we believe, which is that the Avengers create destruction and that Tony Stark’s bomb is responsible for killing our parents.”

Unsurprisingly, their alliance with Ultron ends up turning sour, and Olsen reveals that “my character ends up really having to deal with her ignorance. A lot of problems that happen towards the end of the film are her responsibility.”

10. As trailers have indicated, there’s dissent in the Avengers ranks too. Where the first film saw them begin divided and gradually come together, Age of Ultron begins with them united and gradually tears them apart thanks to Ultron, Quicksilver and Scarlet Witch’s divide-and-conquer strategising.

“The larger threat individually isolates each of us,” Chris Hemsworth explains. “It’s quite a personal kind of threat, and Thor is potentially seeing the bigger picture here – he has a whole other sort of journey for a while, where he kind of goes ‘Hang on, this is part of something else, I think’.”

11. Much of the Avengers’ problem boils down to their lack of a clear leader post-Winter Soldier. “SHIELD has fallen apart, so this movie becomes Tony Stark and Steve Rogers trying to put the Avengers together without a parental unit like Nick Fury hovering over them,” explains Latcham. “What you realise is that these are guys who work best with rules, and probably do need some adult supervision.”

And as anybody who watched the first film can guess, Tony and Cap aren’t an ideal leadership pairing. “Tony has been paying for everything, designing stuff, building new toys, he’s the benefactor of the whole thing. But Steve Rogers is very much in charge of operations and missions, he’s the moral compass,” Latcham goes on. “But how long can Tony Stark have someone else be in charge?” In other words, groundwork is being distinctly laid for the Stark vs Rogers core of Civil War.

12. Making running look interesting on screen – tougher than you think. “The running style we tested early on was just very one-dimensional and boring to look at,” Aaron Taylor-Johnson says, “but if you try to do free running, like parkour, then that’s very much Captain America’s style. Everyone has their thing. You go, ‘Can I do this?’ No, that’s someone else’s thing. You have to find your own place in the stunt world.”

13. Also tougher than you think – resisting the temptation to accompany your green-screen fight moves with sound effects. “It really sucks,” Olsen deadpans. “You have to remember not to do that, you cannot go ‘Phtoo, phtoo, phtoo’ as you’re shooting fireballs.”

14. Also tougher than you think – watching yourself in slow motion. “The most painful thing an actor ever gets to do is watch themselves in super slo-mo, while they’re doing something strenuous,” says Olsen.

“That’s why when you watch superhero movies everyone has these really calm faces, because it is really horrible to watch someone not have a calm face in slow motion. It’s disgusting.”

15. Bruce Banner’s Hulk-life balance has improved over time, “but it’s still evolving,” says Ruffalo. “I think he does feel more comfortable with himself and his relationship to Hulk, but that confidence definitely gets shaken during the movie.”

The team has found a way to strategically deploy the Hulk, holding him back as a last resort “nuclear option” who doesn’t get involved with fights unless absolutely necessary. “He’s sort of left behind in waiting as the secret weapon, the nuclear bomb.”

16. Though a Hulk solo movie is nowhere to be seen on Marvel’s upcoming slate, there’s a lot of ground Ruffalo wants to see covered with ‘the other guy’.

“I feel like we haven’t even scratched the surface with Hulk, as far as his character goes. The technology just hasn’t completely been available, and I think we’ve sort of been ignorant about the approach, like, what can we do with the Hulk? Yeah, he’s great and it’s exciting when he freaks out and smashes, but there’s a whole character there from the comics, who can talk and has a personality.

“Is it always just rage? I think there’s a battle of identity going on between him and Banner, about establishing dominance, and what troubles Hulk in a very primal way is Banner, because he’s the only thing that has any control over him. That sets up an interesting dynamic that hasn’t been explored yet.”

17. As has been widely publicised, Age of Ultron’s portrayal of Quicksilver and Scarlet Witch is under strict limitations thanks to the messy split rights between Marvel and Fox. For one, they can’t be called mutants, and for another their backstory can’t be true to the comics, according to Olsen. Both actors nonetheless used the comics for inspiration.

From the looks of it, the pair are brought into the Avengers fold by Hawkeye, after initially joining forces with James Spader’s villainous Ultron. Taylor-Johnson and Olsen both kicked off filming with several days alongside Renner in Aosta, Italy, which is being played as their Eastern European homeland.

18. Whedon and his cast have developed a system for controlled improv. “Joss is such a writer that he’ll have ten alternatives written, if there’s a joke and he’s worried Downey’s not gonna like the joke,” says Latcham.

“Downey always comes in with a couple of alternatives, so there’s definitely room for interplay, but with a cast this big you want to make sure you stay on point. You don’t want to let the scene wander off into something we all find hilarious on the day, and later in the editing room makes you go, ‘Arrgh, what are we doing?’

“Sometimes when everyone gets together, they’re all so funny that they kind of slip out of character, and start saying stuff that’s not quite in line with what their character would say. Joss is really great at moderating that on the day, keeping his eye on the big picture.”

19. There will be some emotional follow-through from recent solo films – including Steve’s search for Bucky – but it’s a tightrope walk for Whedon. “We have to honour all of that, and also ignore it, because not only can Steve not be busy looking for Bucky in this film, but he shouldn’t make any kind of progress on that at all.

“Some people don’t see this, they only want to see the Captain America movies. In comic books, if you do a big crossover event, back in the old days the solo books would just carry on. Now it’s sort of like if you buy one, you have to buy them all, and I never want to do that. I don’t want to make a movie where you have to have seen the other movies. So it comes up, because we have to respect what they’ve all been through, but this film is a simultaneous side-bar.”

20. On a similar note, Hemsworth found it strange not to be working closely with Tom Hiddleston for the first time. “I was interested to see what was gonna be his conflict or his motivation, because he was sort of driven by that relationship previously. I love working with Tom, and I think there’s always room for more Thor and Loki stuff, but it’s nice to do something completely different.”

21. Ruffalo intriguingly describes Ultron as “a perfect reflection of [The Avengers] themselves”.

22. This is the first true-blue superhero movie Marvel has done in a long time. “With Winter Soldier we said, ‘Let’s make a 1970s paranoid thriller’, with The Dark World we said, ‘Let’s make a full-blown fantasy film’, and with Guardians we said, ‘Let’s make a full-blown space opera’,” Latcham says. “Everything else has been kind of its own genre, so from our perspective if we can keep changing what this kind of movie is, and saying you can’t pin down a Marvel Studios film… then people won’t get bored.”

23. That being said, Whedon found himself categorising Age of Ultron in just about every genre under the sun throughout production. “With the first one, I set out to make a war movie. This time I said to Marvel, ‘I really want to make more of a science-fiction horror’, but then in the first week I was like ‘This is clearly a western’.

“Then it became a war movie again, then oh no, it’s a romantic comedy, a 1940s romantic comedy… No, it’s Ibsen! No, okay, it’s definitely an adventure. It’s an action comedy! I suppose if it’s gonna get put in a category, it has got some science fiction in it, but for me, it’s just everything. And hopefully that doesn’t come out as ADD, but as what happens when you put these different people together, you get that kind of weird dissonance with their different worlds and styles, and you hopefully make music out of it, instead of a horrible cacophony.”

24. And in case you were wondering, Whedon is even less likely to direct an Avengers/Guardians crossover than he is to return for The Avengers: Infinity War. “I cannot imagine directing a film with – if you’ll pardon the expression – more f**king people in it. I’d love to see one, though.”

25. Between takes, the cast share exactly the kind of conversations you want to believe they do. “Just last week,” Hemsworth recalls, “I was talking to Lizzie [Olsen] and I was like, ‘So what exactly are your powers?’ And she’s like, ‘Oh, I can manipulate matter and get inside people’s heads, what about you?’ ‘Oh, I’ve got a magic hammer and I can fly.’ What a ridiculous conversation!”

Marvel Studios presents Avengers: Age of Ultron, the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s Avengers: Age of Ultron stars Robert Downey Jr., who returns as Iron Man, along with Chris Evans as Captain America, Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction. Along the way, they confront two mysterious and powerful newcomers, Wanda Maximoff, played by Elizabeth Olsen, and Pietro Maximoff, played by Aaron Taylor-Johnson, and meet an old friend in a new form when Paul Bettany becomes Vision. Written and directed by Joss Whedon and produced by Kevin Feige, Marvel’s Avengers: Age of Ultron is based on the ever-popular Marvel comic book series “The Avengers,” published in 1963. Get set for an action-packed thrill ride when The Avengers return in Avengers: Age of Ultron May 1, 2015.

The Avengers: Age of Ultron is released on April 24 in the UK and May 1 in the US.

Source: Digital Spy